Some kids have supportive parents.
Parents, who help them learn, make sure they grow up to be good people and care
for others. Parents like that were all over the television in the fifties and
sixties. Ward and June Cleaver raised Wally and the Beaver to be great kids.
Ozzie and Harriet Nelson were wonderful parents. Shows like “My Three Sons” and
“Father Knows Best” showed how you were supposed to raise your children. Big
Earl never had any idea what that was like. Not to say his mother was a bad
person, she wasn’t. However, his father was the one who got credit for Earl.
One of Big Earl’s defining memories
of his childhood was watching his Mom run from the house with her three other
boys after yelling at Pop, “You may have him, but you are not getting these
three!” Earl’s attention was on the beating he was getting at the time, but he
did remember. Pain will focus your attention marvelously. This particular
beating was in the section of Tulsa ,
Oklahoma , known to the local
whites as “Turley”. It was the only area where mixed blood families were
allowed to live at that time. Pop and Earl were in the current family home. The
inside walls were a dingy white. The furniture was old way before Pop was born.
A broken down brown couch sat in front of a dirty, streaked window. That couch
wasn’t helped by four overactive boys. A couple of torn, stained chairs and two
mismatched lamps sitting on milk crates finished the furniture. In Oklahoma it was just
about average for poor Indians. In any other state Mom, Pop and the four boys
would have been white trash rednecks. Trailer trash, as folks like that were
called all across the Deep South .
It had to have been summer. The
windows and front door were open. The screen door was closed and the screen was
torn on it. Maybe Earl tore it; maybe one of the other boys tore it. But Earl
was the one getting the beating for it. Mom had just taken off after yelling at
Pop. Pop stepped to the door and screamed at her to keep running. Earl
remembered thinking that he might just get off easy. Then he realized that Pop
wasn’t going to go after them.
That is when Earl got really
stupid. As Pop turned back towards him, Earl ran and head butted Pop right in
the nuts. Bad idea. Pop’s first punch caught Earl on the forehead and made him
see stars. He should have gone down then. Pop’s second punch was a stomach
punch that felt like, and probably did, hit backbone. Earl went down then, by
God. Pop stood over him for a couple of seconds catching his breath. Pop looked
at Earl like the boy was already dead and said, “You think you are a bad boy.
You worthless piece of shit, I will show you what bad is.” All in all, Earl
didn’t want to find out what bad was.
Then Pop left the room. And Earl
heard a very bad sound. The sound was a closet door opening. The hall closet
door. That one door was where Pop kept all kinds of interesting stuff. Guns
were on the top shelf, where the kids couldn’t reach them. Tools were in an old
tool box on the floor of the closet. Hammers, pliers, shovels, trowels and saws
were all in there, resting. All of them were waiting for their call to duty. A
machete Pop had brought back from World War Two. All kinds of tools were
resting in there that could potentially be made into implements of destruction.
Lots of potential badness waiting to happen if this was the time. Earl kind of
hoped Pop was getting his coat to leave. No such luck ensued.
It is odd what a person might
notice at times like this. Lying on the floor crying, trying to breathe, Earl
saw a bug on the floor, just in front of his face. It was a ladybug. It did not
care about what was happening with Pop. It was just walking across the floor
about to go under a wrinkle in the rug. An Indian rug from when the family had
lived in Phoenix ,
where his first brother was born. Before everything started going to Hell. Earl
was lying on the floor watching this bug trundle along toward the rug and all
he could think was. “Run for your life bug. He’s coming back.”
Outside the sky was blue, the day
wasn’t all that hot and life was pretty good. Pop and Mom’s place was away from
other houses. It was one of those houses that didn’t get burned in the Tulsa
Race Riot before the war. But everything around it was gone and grown over.
Outside nobody could hear a boy crying and hollering for help, because they
were too far away. Earl always liked to think that, because the other option
was that people heard and did nothing. Inside with our hero, Pop and that
little bug, things are about to get real interesting again.
Earl wanted to run. He just didn’t
have the air to get up yet. He probably should have tried anyway. Hindsight, as
they say, is twenty-twenty. He just wasn’t smart enough yet. Earl was about to
get smarter quick. Pop came back carrying a bat. That was one of the things in
the hall closet Earl hadn’t thought of. A Louisville Slugger Pop used when he
played ball with a bunch of other young war vets. “You want to find out about
bad boy; you are going to find out about bad.” That was when Pop hit him with
the bat for the first time. The first time. Then Pop drew back like he was
going for the fences. Batter up. The bug didn’t make it to the rug. Pop stepped
on it as he was coming into his swing. And then he hit Earl a few more times.
And then Earl just didn’t remember anything else.
Big Earl woke up in a hospital. It
wasn’t the first time that ever happened. It wasn’t the last. A doctor in a
white coat asked him what happened. Earl tried to answer but couldn’t say
anything yet. That is when he heard his father’s voice. “The boy is clumsy. He
fell down the stairs into the basement.” It was just like if the voice of God
commanded.
So it was said, so it was done.
You see, people had come to try and
take the kids away from Pop before. Earl already knew how that worked. Social
workers that didn’t care about their clients would ask questions nobody
followed up on. The kids would spend a few days in the care of some overworked
foster parents that never even learned their names. And the family would come
together and swear the charges were unsubstantiated. Eventually everyone would
be brought back to Pop. Things would end up just like they were before.
Earl got a drink of water from a
nurse and told the doctor, “I tripped going into the basement.” There was
nothing the doctor could do after that. It was the fifties in Oklahoma . Nobody much cared if a half breed
Indian beat up one of his kids. Social care in the fifties was for lower middle
to low class white kids. If there was time and money enough, they might help a
few Negro kids. There was never enough time, money or doctors to care about
Indians.
If Pop had killed Earl the police
might have investigated. But then, it might not have mattered to them at all.
It wasn’t like Oklahoma was going to run out of Indians any time soon. And a
mean assed, half breed Indian that beat his kids was just not a high priority to
the local police
You see, it didn’t matter that
there wasn’t a basement. It didn’t matter that the doctor wanted to help. It
didn’t even matter that Mom had run and left Earl with Pop. She had to save
what she could. Earl was just the price she paid to save the others. Even Earl
knew that she was doing the only thing she could do to save the other three
boys. Nobody blamed her but herself. Sometimes the choices a person makes in
life extract a price far beyond what they think they can pay. You make your choices
and then you spend the rest of your life trying to decide whether or not you
made the right one.
That may be why, later in life, Mom
protected Big Earl. Even years later, after she grew to be afraid of him.
Afraid of what she had allowed him to become. She really, really hoped she was
wrong about what she thought he was. But she never stopped loving him. And
sometimes, loving the Bad Boy is all you can ask of a Mother.
Just ask Mom.
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